With his mother newly dead, a job in a funeral home somehow becomes the perfect way for Matthew to deal with his crushing grief. Initially skeptical, he plans to use his early-release senior year program to work at a fried-chicken joint that's staffed by an entrancing girl with whom he eventually develops a gentle, tenderly depicted relationship. But the funerals intrigue him and then become deeply satisfying; Matthew finds solace in seeing others experiencing his pain. Matthew's neighbor, Mr. Ray, the funeral director with a sad back story, becomes almost a surrogate father when Matthew's dad gets drunk and then has an accident. Matthew's voice is authentic and perceptive as he navigates the initial months without his mom; he's supported by a believable cast of fully fleshed-out characters. Occasionally, his language waxes poetic, as when he describes the sights and sounds of Brooklyn: "our cement world of trash cans blown into the street, stray cats begging, stoop sitters dressed in fresh sneakers smoking blunts in broad daylight, old ladies sweeping the sidewalk, tired nine-to-fivers walking slowly on the final stretch before home." Reynolds writes with a gritty realism that beautifully captures the challengesand rewardsof growing up in the inner city. A vivid, satisfying and ultimately upbeat tale of grief, redemption and grace. (Fiction. 11-18) Copyright Kirkus Reviews, used with permission.

When high school senior Matt realizes that working at the local chicken joint might mean cleaning up vomit, he reluctantly accepts a job at the neighborhood funeral parlor-the same one where his mother's funeral was just held. To Matt's surprise, he finds relief in watching funerals and seeing how mourners handle their grief, and he begins to grow closer to the funeral home's owner, a local character. As he did in When I Was the Greatest, Reynolds portrays Brooklyn's largely African-American Bed-Stuy neighborhood convincingly; Matt and his family are lower middle-class, as are their neighbors, but gangs and violence are a presence, as well. Coincidences and plot twists (including a car accident that conveniently helps Matt's grieving father address his drinking problem) detract from the impact of the story as it develops. Romantic interest Lovey, a very appealing girl Matt meets at her grandmother's funeral, doesn't come on the scene until halfway through the book, and the wait feels long. An affecting story of a teenager's path through pain, but one whose faults offset its strengths. Ages 12-up. Agent: Elena Giovinazzo, Pippin Properties. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

His mother recently dead from breast cancer, 17-year-old Matt feels his life is backwards and that he has become invisible at school. Then, ironically, he secures a work-study job at the local funeral home, owned by Mr. Ray, a respected fixture in their Bed-Stuy neighborhood, and discovers, to his surprise, that he enjoys attending funerals. Somehow, he thinks, it made me feel better knowing my pain isn't only mine. It is at a funeral that he meets a beautiful girl with the improbable name of Lovey and feels an instant attraction. The two become friends and gradually their friendship, rooted in trust, becomes something deeper that may redeem both of them from their losses and loneliness. Though it gets off to a slightly slow start, Reynolds' second novel quickly becomes a superb, character-driven story. His protagonist Matt is a wonderfully sympathetic, multidimensional character whose voice is a perfect match for the material and whose relationships with Lovey and Mr. Ray also a fascinating character are beautifully realized. This quiet story is clearly a winner.--Cart, Michael Copyright 2015 Booklist

High-school senior Matt wears a black suit because he has a job at Mr. Ray's funeral home (setting up chairs and food for services), but also -- metaphorically -- because he himself is in mourning, for the mother who died just before the book begins and the long-on-the-wagon father who has returned to drink. Although his work responsibilities end when the funerals begin, Matt finds himself sticking around to find "the person hurting the most," hoping that his or her expression of grief will perhaps help him deal with his own. While all this sounds like heavy problem-novel territory, it isn't. Matt is a good kid with a good best friend, Chris; their Bed-Stuy neighborhood is gritty but also a place of true community. There's even a sweet romance between Matt and a girl he meets at her grandmother's funeral. With When I Was the Greatest (rev. 1/14) and now this book, Reynolds writes about urban African American kids in a way, warm and empathetic, that the late Walter Dean Myers would have applauded. roger sutton (c) Copyright 2015. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Gr 7 Up-Matt's mother just died, and his dad isn't coping well, hanging out with the local drunk and downing whiskey, which results in his getting hit by a car and landing in the hospital. Matt is also grieving his mom's death and now he's on his own, until he lands a job at the local funeral home: $15 an hour and Mr. Ray as his boss. Attending other people's funerals helps the teen come to grips with his own grief. Hearing mourners express their real thoughts of suffering at each funeral allows Matt to figure out his own feelings. Mr. Ray is wise and shows up at all the right times to help out the struggling young man, and when Mr. Ray's secrets come to light, he appears even cooler in Matt's eyes. Amid all this, Matt meets Lovey, the girl of his dreams, who is smart, funny, gorgeous, and tough. A mystery intersecting Lovey's life and that of Matt's best friend, Chris, deepens the plot. Written in a breezy style with complex characters who have real lives, this is another hit for Reynolds, fresh off the success of his When I Was the Greatest (S. & S., 2014). The author's seemingly effortless writing shines in this slice-of-life story, which covers a lot of the protagonist's emotional ground. The realistic setting and character-driven tale keeps readers turning the pages of this winner.-Amy Cheney, Alameda County Library, San Leandro, CA (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.