Lush description of a gothic and ghostly Prague beckons readers from the first page and fulfills its promise, leading to a star-crossed romance that spans worlds and transcends death. Except for brilliant blue hair and an air of secrecy, art-student Karou is a seemingly normal teenager, nursing the hurt from a recent breakup over bowls of goulash with her best friend, Zuzana. No one, including Zuzana, knows that the strange, fascinating creatures from Karou's sketchbook are in fact her family. The chimaera, part human and part animal, exist behind a magic door leading to Brimstone's wish shop, where Karou was raised in a place she knows only as "Elsewhere." The characters, oth human and otherwise, are fully fleshed. Trained in martial arts and gifted with a new language for each birthday, Karou runs errands for the horned and clawed Brimstone, trading with murderers all over the world for the gory teeth he requires, but never knowing what they're for. In a Marrakesh marketplace, Karou meets a gorgeous angel with wings of fire; the two are drawn together by a powerful force. Desperate for answers, Karou begins a dangerous search and discovers a parallel, war-torn world that is the key to her true identity. Taylor builds a fantasy realm with mythic creatures, human desires, and battles of biblical scale; an inventive magic power is credibly balanced by the pain it requires. Taut plotting moves Karou's quest briskly along while developing deeper mysteries. The climactic revelations connect many strands, leaving the reader both satisfied and eagerly anticipating a forthcoming sequel. lauren adams (c) Copyright 2011. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Gr 9 Up-Blue-haired Karou is 17, and, in addition to her unusual tresses, has other intriguing aspects to her personality. She supports her life as an art student in Prague by running errands for her foster parent, a supernatural chimera named Brimstone. These errands, which take Karou through strange portals to strange places to meet with even stranger individuals, reap rewards not only of money, but also wishes. Taylor builds a thoroughly tangible fantasy world wherein a complex parallel universe competes with far-flung geographic locales for gorgeously evoked images. Karou herself is a well-rendered character with convincing motivations: artistic and secretive, she longs for emotional connection and a sense of completeness. Her good friend Zuzana goes some way toward mitigating Karou's solitude, but a sour breakup with beautiful bad boy Kaz has left her feeling somewhat bereft. Taylor leads readers from this deceptively familiar trope into a turbulent battle between supernatural species: angel-beings seek the destruction of demonlike chimera in revenge for the burning of the archive of the seraph magi. The more Karou discovers about the battle, however, the less simple good and evil appear; the angels are not divine, the chimera are not evil, and genocide is apparently acceptable to both sides in this otherworldly war. Initially, the weakest part of the story appears to be the love story between Karou and Akiva, an angel of "shocking beauty"; there is little to support their instant bond until their true connection is disclosed. The suspense builds inexorably, and the philosophical as well as physical battles will hold action-oriented readers. The unfolding of character, place, and plot is smoothly intricate, and the conclusion is a beckoning door to the next volume.-Janice M. Del Negro, GSLIS Dominican University, River Forest, IL (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

A love thought lost proves anything but when another world's 1,000-year war spills over into this one.Seventeen-year-old Karou leads a double life: as an art student in Prague with normal boyfriend troublesand as a runner of bizarre errands for Brimstone, a scarred and saturnine sorcerer with the head of a ram and the lower body of a dragon. With similarly chimerical associates, he has raised her from infancy and dispatches her through magic portals to destinations all over the world. She knows nothing of her past or purposeuntil a sudden, fiery closure of all the portals cuts her off from the only family she's ever known, and an initially violent but ultimately "sweet and beckoning collision" with winged, inhumanly beautiful Akiva leads to revelations of an ancient conflict between Seraphim and the supposedly bestial Chimaera. Switching points of view and settings, Taylor then fills in a back story that links Akiva and Karou in an older tragedy, while planting seeds that might lead ultimately to peace. The plot hinges on major contrivances, but along with writing in such heightened language that even casual banter often comes off as wildly funny, the author crafts a fierce heroine with bright-blue hair, tattoos, martial skills, a growing attachment to a preternaturally hunky but not entirely sane warrior and, in episodes to come, an army of killer angels to confront.Rarelyperhaps not since the author's own Faeries of Dreamdark: Blackbringer (2007)does a series kick off so deliciously. (Fantasy. 13-16)]] Copyright Kirkus Reviews, used with permission.

Seventeen-year-old Karou moves deftly between her relatively normal high-school life in Prague and the strange world of the chimaera, in which she collects the human and animal teeth that the wishmonger, Brimstone, painstakingly sorts. The chimaera are the only family Karou has known, and when access to their world suddenly disappears behind smoldering black handprints, she vows to find them. Could this have been a result of the perpetual war between the chimaera and the seraphim? Along with this central mystery of monsters, a fantastical Romeo-and-Juliet romance develops between Karou and the angel Akiva, a romance destined for hurt and betrayal. Author Taylor has created a variety of worlds, time frames, and creatures with such detail and craft that all are believable. Blurring the boundaries of good and evil, slaves and owners, human and beast, she careens readers from sadness to love, from the predictable to the amazing, and from the outlandish to the bizarre. Readers will look forward to the suggested sequel to this complex, exciting tale.--Bradburn, France. Copyright 2010 Booklist

National Book Award finalist Taylor (Lips Touch: Three Times) again weaves a masterful mix of reality and fantasy with cross-genre appeal. Exquisitely written and beautifully paced, the tale is set in ghostly, romantic Prague, where 17-year-old Karou is an art student-except when she is called "home" to do errands for the family of loving, albeit inhuman, creatures who raised her. Mysterious as Karou seems to her friends, her life is equally mysterious to her: How did she come to live with chimaera? Why does paternal Brimstone eternally require teeth-especially human ones? And why is she "plagued by the notion that she wasn't whole.... a sensation akin to having forgotten something?" Taylor interlaces cleverly droll depictions of contemporary teenage life with equally believable portrayals of terrifying otherworldly beings. When black handprints begin appearing on doorways throughout the world, Karou is swept into the ancient deadly rivalry between devils and angels and gradually, painfully, acquires her longed-for self-knowledge. The book's final pages seemingly establish the triumph of true love-until a horrifying revelation sets the stage for a second book. Ages 15-up. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

ANY book that opens with "Once upon a time" is inviting high expectations. It's a phrase that inevitably evokes fairy tales and leather-bound classics about epic adventures, setting up the anticipation that readers will discover worlds filled with magic. And it may be a cliché, but it's not necessarily an unwelcome one. In this case, the story that follows, by Laini Taylor, a 2009 National Book Award finalist ("Lips Touch: Three Times"), is a breath-catching romantic fantasy about destiny, hope and the search for one's true self that doesn't let readers down. Taylor has taken elements of mythology, religion and her own imagination and pasted them into a believably fantastical collage. Starting with 17-year-old Karou, who is far from a typical teenager, with hair that grows in a bright ultramarine, no rebellious dye required. That's not the only thing setting her apart from her fellow students at the Art Lyceum of Bohemia in Prague. The monsters Karou draws - one woman who is serpent from the waist down, another with human eyes but a parrot's beak - are not of her imagination. They are real chimeras, demons, and they are the closest thing she has to family. When Karou sees a crow with bat wings, she knows it is summoning her for yet another trip to collect animal and human teeth. What Karou doesn't know is why Brimstone, a stern, horned monster with the golden eyes of a crocodile who is a kind of father figure to her, needs the teeth. But she realizes the wishes he grants her are worth her troubles, allowing Karou to make her ex-boyfriend itch in unmentionable places, eradicate her own pimples and cause a rival's eyebrows to grow unattractively bushy. The teeth-collecting mystery is one of many in Karou's life. Why does she have hamsa tattoos on the palms of her hands? Why does she feel so desperately lost and lonely? And why can't she shake the feeling that there is "another life she was meant to be living?" Just as she did in her story collection, "Lips Touch: Three Times," Taylor - who, like her protagonist, is an artist with an unnatural hair color, bright pink - tackles themes of longing and self-actualization with a sympathetic understanding of her audience. Who as a teenager didn't feel like a chimera, a mix of seemingly disparate parts forming an uncertain self? As Karou runs Brimstone's increasingly frantic errands, traveling between magic portals to a black-market auction in Paris and a bazaar in Marrakesh, beautiful winged beings around the globe are burning black handprints into the portal doors, marking them for reasons that soon become violently apparent. Enter the love interest. Akiva is a seraph, an angel, and an attractive one. "Oh, thought Karou, staring at him. Oh. Angel indeed." She is immediately drawn to him: "He was the most beautiful thing Karou had ever seen. Her first thought, incongruous but overpowering, was to memorize him so she could draw him later." Akiva, likewise, finds himself captivated by Karou even though he knows she works for the chimera, the seraphim's enemies in a longstanding war. The first time they meet he nearly kills her. The second time, she him. After a series of supernatural fires causes Karou's world to collapse, her pull toward Akiva and his toward her feel powerful enough to be destiny. Each kiss is given the importance of Paris's lips meeting those of Helen of Troy. "This new thing that sprang up between them, it was ... astral. It reshaped the air, and it was in her, too - a warming and softening, a pull - and for that moment, her hands in his, Karou felt as powerless as starlight tugged toward the sun in the huge, strange warp of space." (Ah, teenagers.) And as with the lovers whose romance launched a war, love between the blue-haired girl and the angel is fraught. Secondary characters, like Karou's pixie-size human best friend, Zuzana, provide humor and wisdom. The high-stakes action scenes - I'm not giving away too much by saying there is plenty of seraphim-on-chimera combat - balance out the more contemplative moments. And the world-building descriptions and language stop your heart and then, like a defibrillator, start it up again. Prague is "a city of alchemists and dreamers," where "Gothic steeples stood ready to impale fallen angels," and new love is a "sweet tango." As I raced through the final pages, it took longer than it should have for me to realize the obvious: the ending was not coming. "Daughter of Smoke and Bone" is a series opener. I should have known better. I wanted this novel to be an epic, complete in itself. But series are hot items in teenage lit, and Taylor leaves plenty of questions unanswered for sequels. Like a woman who has waited hours for a date, I felt stood up - but like a hopeless romantic, I will be back for more. Karou's first story ends with an anguished epiphany, the promise of a new adventure and, of course, what Emily Dickinson called "the thing with feathers" and what Brimstone calls "the real magic," hope. Chelsey Philpot is a book review editor at School Library Journal.