(Intermediate) Nine-year-old Omakayas; her pet crow, Andeg; and the rest of her family have returned to their summer home, but things are changing. In this sequel to The Birchbark House (rev. 5/99), Erdrich deftly revisits the events of the previous book, including the devastating death of Omakayas's baby brother, Neewo, in the smallpox outbreak that took so many villagers' lives. And now a new threat has come: another group of Ojibwe, starving and barely alive, arrive with news of the encroaching chimookomanag -- white people. A removal order from the U.S. president means that the Ojibwe will have to move west, away from the land they love. While a small advance party sets off to gather information, the villagers adjust to the newcomers and prepare for the future. Using some of the conventions from the first installment, Erdrich brings her characters through the seasons, starting in summer. Omakayas is maturing with each passing month, and her grandmother, who has always taken a special interest in her granddaughter's gifts, gently pushes Omakayas toward adulthood. On one tense night, when she has a powerful dream that saves her father's life, Omakayas finally starts to understand her destiny and her gifts. Erdrich's own gifts are many, and here she has given readers another tale full of rich details of 1850s Ojibwe life, complicated supporting characters, and all the joys and challenges of a girl becoming a woman. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.

Gr. 5-8. Like its predecessor The Birchbark House (1999), this long-awaited sequel is framed by catastrophe, but the core of the story, which is set in 1850, is white settlers' threats to the traditional Ojibwe way of life. Omakayas is now nine and living at her beautiful island home in Lake Superior. But whites want Ojibwe off the island: Where will they go? In addition to an abundance of details about life through the seasons, Erdrich deals with the wider meaning of family and Omakayas' coming-of-age on a vision quest. Just on the edge of the child's daily life and coming ever closer are the whites--among them, a Catholic soul-stealer priest and a friendly teacher who helps the children learn to read and write both Ojibwe and English so that they can confront cheating white agents. Readers familiar with the first book will welcome the return of several richly drawn nonreverential characters, including Omakayas' pesky brother, her irritable mom, and her bold, tough mentor, Old Tallow. As Erdrich said in the Booklist Story Behind the Story, Little House on the Lake BKL Ap 1 99, about The Birchbark House, her research into her ancestors revealed the horrifying history and also a culture rich, funny, and warm. In this heartrending novel the sense of what was lost is overwhelming. --Hazel Rochman Copyright 2005 Booklist

Gr 5-8-Omakayas's tale, begun in The Birchbark House (Hyperion, 1999), continues in this book. Older and more insightful, Omakayas begins to understand the elements of life more fully as she accepts her gift of telling dreams. Changes are coming to the Ojibwa people and she struggles to deal with all that she is experiencing and her dreams foretell. Her sister falls in love with a warrior, strange and lost members of her tribe come to rely on her, and her people are threatened with certain eviction from their homes and food supply. But traditions are strong, and after Omakayas is sent off into nature to face the spirits and her dreams, she learns to accept the fate of her people and comes to see it as an adventure, "the next life they would live together on this earth." Although the story is set on an island in Lake Superior in 1850, readers will identify with the everyday activities of the Ojibwa, from snowball fights to fishing excursions, providing a parallel to their own lives while encouraging an appreciation for one that is very different. The action is somewhat slow, but Erdrich's captivating tale of four seasons portrays a deep appreciation of our environment, our history, and our Native American sisters and brothers.-Kimberly Monaghan, formerly at Vernon Area Public Library, IL (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

This sequel to The Birchbark House continues the saga of Omakayas, now "nine winters old," a member of the Ojibwe tribe who reside on an island in Lake Superior. The tranquility of the little village is threatened when word arrives that white leaders are going to force Omakayas's people farther west into enemy territory. While some men from the tribe-including Omakayas's father and Fishtail, her sister's special friend-travel in different directions to investigate the rumor, the rest of the villagers remain. They struggle to regain normalcy by returning to their routine of hunting, fishing, weaving and gathering. Erdrich once again shows what is was like to grow up Native American during the same time period about which Laura Ingalls Wilder wrote. The unadorned narrative, sprinkled with ancient legends, clearly expresses not only the traditions and rituals of the Ojibwe but also their values and religious beliefs. Erdrich's pencil drawings (somewhat reminiscent of the style of Garth Williams's illustrations for the Little House series) capture the mood and spirit of such characters as Pinch, Omakayas's mischievous little brother and noble Old Tallow, who gives Omakayas a precious gift. Like its prequel, this meticulously researched novel offers an even balance of joyful and sorrowful moments while conveying a perspective of America's past that is rarely found in history books. Ages 8-12. (May) (c) Copyright PWxyz, LLC. All rights reserved

Readers who loved the ways of Omakayas and her family in The Birchbark House (1999) have ample reason to rejoice in this beautifully constructed sequel. On Madeline Island in Lake Superior at the midpoint of the 19th century, Omakayas lives the turning of an entire year. In summer, a starving remnant of relatives are taken in and cared for; in the fall, stores are laid up and the group returns to their cabins; winter comes with storytelling, Old Tallow's coat of many furs, and Omakayas's sister Angeline beading a vest for the man she loves. In spring, Omakayas goes on her own spirit quest and sees her future clear. Omakayas's relationships with her prickly brother Pinch, the white child she calls Break-Apart Girl and Two Strike, who scorns women's work, allow for emotional resonance. She learns not only from the hands of her grandmother, mother and Old Tallow, but by her own sharp observation and practice. Eager readers beguiled by her sturdy and engaging person will scarcely notice that they have absorbed great draughts of Ojibwe culture, habits and language. It's hard not to weep when white settlers drive the Ojibwe west, and hard not to hope for what comes next for this radiant nine-year-old. (Fiction. 8-12) Copyright ©Kirkus Reviews, used with permission.